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The defeat create spring *

-. Benedetti remembers Viglietti. Santiago May 14, Aula Magna USACH. - Many times we go through the discography of who we admire, and passages known, we take shortcuts and stop at key moments, in those parts we like, in those areas that move us or that we appropriate to the point of feeling challenged. On several occasions I have had for company chords Allende / Chile Throughout the poem-song A Dos Voces of Viglietti and Benedetti, but each context can have an awakening, but a combination of triggers can also be a handful of significiones emotional. This time, it seems that all we are: Viglietti, guitar (partner), Images de Allende, a poem by Benedetti, La Moneda in flames from a painful 11, a country in the mediation of forgetfulness Viglietti simply not was stronger and a hoarse voice broke he did not desert him throughout the song, in addition to this, I know who were on the side of the seats they felt the pain as listen "to beat the man of peace / had to kill him many times / for the man of peace was a fortress ", " those who resist / hundreds thousands / around Chile "," to kill the man who was a village / had to do without the people ", " ... hundreds of thousands across Chile ", while Chile is ruled by a right maintaining its approval ratings, with a leftist political project increasingly diffuse between the repression of the traditional partisanship and policy officials negotiating coalitions. How difficult is dealing with the idea that "no longer interested in the man peace was a fortress, "" disappeared hundreds of thousands "," nevertheless, not be left without the people, "" ... proponents of joy, as Benedetti said, and not hundreds of thousands Chile. "Viglietti certainly gave more than just a concert, which will hopefully overcome the common and repetitive melancholy attitude by a truncated history, and thus the defeat spring .* create

Allende / Chile For all

"reminds Viglietti Benedetti" Aula Magna USACH

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*: "New Song", Daniel Viglietti.

Happens If Dog Not Deworned

presentation, and thanks for calling us

We are in the painting of the day from the endless tasks of living each day, and this, for Victor involves pain and sacrifice, dignity and hope. The pictures here we can see, their presence at the author coincides with an important date, a date which has become a reference in the struggle for dignity and justice, March 10, when strength and generosity, milestone in this long struggle that will inevitably avoca these paintings and the present. Are dark times, these dazzling darkness in which we live and the condition of women and men, their rationale, transform the world and walk towards the human being that from the outset, unlike the rest of the beings inhabit the earth, have invented, imagined and dreamed. And that day is a distant goal, a reason that we calls and saves us. but we also fatigue and soul wells up to us, as would Cesar Vallejo.
Victor's paintings have the texture of the walls nesting slogans for a new world where they raise the cries and the voices who say no to poverty, the wealth that corrupts us miserable. His compositions refer to the forms and contents that have been established avant-garde over the last century: The poster, comic, overlapping planes, themes of everyday life, work, dreams and nightmares, uncertainty and anger.
There is a conversation that involves us, a dialogue where the pain is hopeful speech, voices and barking machine
Shrew, hands armed with reason, hands and faces that sometimes fade to show the huge effort to be every day. His painting is the skin that the light is left rubbing their eyes, and shadows that are revealed as habitable as essential. Contemplate his paintings as stories that help us, like all stories told, and therefore shared, and thus provide us acknowledge and recognize ourselves as beings made equal to remember and to know ourselves, and make possible the meetings where we discuss and world, us in the world we cover as humans. Thanks Victor.


We are facing a painting two days, two endless work to live each day, and iso to Victor e dor involves sacrifice, dignity and hope. The tables here we can see, your presence, found by the will of the author with the indicated date, a date that has been the reference of the struggle for dignity and justice, on March 10, when strength and generosity, a mouteira this long struggle that inevitably Avoca these paintings and the present. They are dark times, these gorgeously dark we played live and is the condition of woman and man, his reason for being, and transform the world to walk this human being that from the outset, unlike the rest of the beings that inhabit the land, invented, imagined and dreamed. And today is a distant goal, a reason for calling us and Salvan., but also in fatigue and empoza the soul would cease as Vallejo.
Victor's paintings have the texture of the walls where aniñan slogan for a new world, where they raise the screams and the voices which say that misery, miserable abundance that corrupts us. His compositions refer to the forms and contents that the vanguards introduced over the past century: the poster, comic, superimposed planes, a theme of everyday life, work, dreams and nightmares, uncertainty and anger.
There is talk that surrounds us, a dialogue that the pain is hopeful speech, voices and barking,
machines tamed, hands armed with reason, hands and faces by sometimes fades to show the soul of the huge effort to turn up every day.
His painting is the skin that gives birth to friction with his gaze, and the shadows that reveal themselves as livable as indispensable. Let us look at his pictures as the stories that make us acquainted with the lines of escape from reality, and like all stories told, so sharing, enable us to recognize and recoñecernos as being made to remember and sabernos equal, and thus enable the meetings where besides us and the world, the world fúndanos of us as humans. Like today, aiqui. Thanks Victor.

Ferrol, March 10, 2010, in memory of Daniel Amador and

Novas victor paintings